I have found it very difficult to write a review of Blue Like Jazz. It is, as has been said, not another
Christian movie. And so I have found it
hard to evaluate based on previously constructed film categories. But here we go…
I love that it lacks the cheesiness and preachiness of
typical Christian movies. I love that
the story is messy and real, that it avoids the cliché, everything-is-wrapped-up-nice-and-clean
progression and ending. I love that it is well-directed and
well-acted. I even love the fact that it
made me squirm in my seat a number of times (There is a fair amount of foul
language used, as well as some pretty crude conversations. While these did bother me, I wondered if
maybe that was the point, and maybe really being “in the world” and not simply “not
of it” looks more like this than my own life does… shame on me).
The story is compelling, funny, and profound. It is not a perfect movie, but I think most
of my complaints come from wishing there was more. A couple of the transitions
in the story, especially near the end, felt a little rushed. I also wanted a couple characters to be
developed a little more. But these are
overall good problems; wishing the movie would have been stretched out a little
more is definitely better than wishing it would be over already.
I am almost certain that someday I will write more about
this. Blue Like Jazz is a movie that starts discussions… important
discussions about faith, doubt, Christianity in a secular culture, forgiveness,
and so much more. Make no mistake about
it: Blue Like Jazz is bizarre,
slightly offensive, and completely fascinating.
I would expect nothing less from the Steve Taylor and Donald Miller
duo.
Do yourself a favor and go see it. Your toes will most certainly be stepped on… and
I believe you will walk better because of it.